Must Haves for the Parent Photographer

With entry level DSLR cameras becoming more affordable and flooding the market, more and more parents have been becoming the head photographer of the household. The following are some tips & tricks for all those parent photographers out there.

Photo Editing and cataloging:

If you don’t feel like paying for Adobe Lightroom there is a great free application by google called Picasa 3.
Screenshot 2014-07-07 01.58.41

 

 

 

 

 

 

Along with basic editing capabilities and upload to google, a catalog feature allows you to organize your photos.

 

Prime Lens’

Now that you are able to swap lens’ being able to choose the right lens for a shot is key. Most people assume that a zoom lens is better to have because you can have a close. or wide shot in one lens, but for most situations you will be shooting in low light.  Zoom lens’ generally have a smaller aperture which means less light gets to the cameras sensor. Instead you should opt for prime lens; these are lens with only one fixed focal length. These fall into three categories; wide-angle (10mm-24mm), normal or standard (35mm-80mm), and telephoto (above 80mm). Prime lens have much larger apertures allowing for better photos in low light situations. When indoors standard and wide lens should be used and when outdoors, such as at sporting events, it is better to use a telephoto lens.

 

Off Camera Flash:

These usually run between $150-$250 and are the most versatile tool for photographers I suggest getting an off camera flash that can swivel these can be pointed away from your subject for different lighting effects. The best way to learn how to use one of these is to play around with them.

 

 

Aside

Expansions

Over the last month I have been trying to decide how to expand my photography a little more and people have recommended sites like photo bucket and Flickr, well i am happy to say i have embraced Flickr and uploaded a bunch of really cool picks. Along with adding more of an online presence I bought a Canon photo printer haven’t gotten to really use it to its full potential yet though hopefully will be able to get a review up before next month

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Using Lightroom and Photoshop for HDR

citywavephotos:

This has exposed me to a few new tools in Lightroom that I hope with really help make my photography better. Definitely check out this video and Photofocus.com

Originally posted on Photofocus:

Using Lightroom and Photoshop, you can create stunning HDR images without the use of a 3rd party plugin, and you’ll be left with with great results!

Disclaimer: This is just one way to work with HDR

For more tutorials go to www.iceflowstudios.com or get daily tips and updates on Twitter.

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Mosaic A complete…

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Airbrushing in Photography

Taking a photography course has been one of the most educational and entertaining experiences I have been through, and I am always interested in ideas that come from arguments. Although when someone becomes offended by opinions I voice and the choice of words I use; I do feel a small amount of remorse and sympathy. That is until you prove my point correct, then along with some of my respect, that remorse and sympathy I felt have disappeared altogether.

A discussion in a recent class was based around whether or not airbrushing and heavy editing should be in portrait photography, that being a fairly vague selection seeing as portraits are used from home decor to professional advertisements, many opinions can be formed. In my personal opinion unless you are doing portraits for a fashion magazine where you want more emphasis on the product than the model you should never adopt an airbrushing technique within a digital space. My classmate did not agree with this, they felt that airbrushing can be done right and when it is done right the image will look real, a fair point my classmates confidence gave me reason to suspect that they knew what they were arguing as well as could do believable airbrushing.  So about a week after this class I saw a post from this classmate where she had done someones photos and did her editing, on first look I asked myself who did such a great 3d render only to find that this was indeed a photograph; and that plastic look that I had complained airbrushing causes, and my classmate said they do not produce.

Airbrushing in real life and digital airbrushing are not on equal playing fields, the detail you can get in real life is much higher than in the digital work this is because of certain techniques that Photoshop has yet to add. So is it possible to digitally create a realistic photograph of a person that doesn’t exist, yes it is quite possible but all current processes to create such images use skin texture from real people while the facial features and other ascetics are digitally created or sculpted facial textures are imported from real photographs.

This is what began to bother me about my classmates high-strung attitude, her photograph which is meant to capture the likeness of a person and not feel fake or plastic was less realistic than a 3d render. Think about that for a second an image taken in real time of a real person, fails in comparison of realism to a 3d render created digitally of a person that has never actually existed in the natural world, only solidifying my original argument.

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Portrait

A 3d render created by CGArtist David Moratilla

Before-and-After-Airbrushing

Form your own opinions, Do you think that airbrushing cannot be done at a boutique level so that photos look 100% realistic or not?

Images borrowed from

http://www.about-face.org/disclaimer-for-airbrushed-models-an-effective-solution/

http://www.davidmoratilla.com/

Breaking the Barrier of Name Brands

Day one Self portrait

Day one Self portrait

In society name brands have become a sign of status and success, not only do we have this need to show off what we have but we also have the tendency to judge others from what they have. This holds true in many aspects of our society but also in the world of photography.Twenty years ago digital photography was still in its infancy, and the last of the highly rated Pentax, Minolta, and Holga 35mm film cameras used by the average professional were slowly dying out, and not until thirteen years ago Digital cameras were limited to the quality of most cellphones with nothing more than 1.5 megapixels in a camera that looked like a Nikon 35mm but cost between $6,000 and $30,000 for professionals. Whilst today you can get a camera with 16 megapixels between $500 and $1,500. If you think about it that has been a very little amount of time that this technology has grown, but what made Canon and Nikon the industry standard? It would probably be attributed to the collaboration between Kodak and the two, Kodak being one of the first companies to integrate a digital sensor with a 35mm camera.

So with this boom in innovation from three of the top companies helping to make better quality cameras cheaper and faster we gained this social branding that we see in so many other places; to a point where other photographers look down on each other for the camera they prefer to shoot with, and clients and consumers of a photographers service build an impression in their mind that only photographers with a Canon or Nikon camera can shoot high quality pictures. Could this stereotype be true though, does the brand of your camera make you a better photographer.  To an extent yes though it is not just in the equipment that makes a photographer great better made products do assist but with technology growing at an exponential rate as it has been for years the emergence of competition to these two industry standards also comes with examples from Sony and Fuji-film, and since the acquisition of Pentax form Hoyo by  Ricoh Imaging. These companies have risen to produce high quality cameras that rival Canon and Nikon in both functionality and price.

With these advances at our fingertips, as a photographer I advise others to take a look carefully at the technology you are choosing to use, and in a day and age where you can rent a camera and lens for a weekend for a measly $50, test and test and test to find a camera that will perform the best in your own hands, because at the end of the day a portfolio showing your work will speak more than the camera you hold in your hands.